Anne Anderson (1874—26 May 1952) was a prolific Scottish illustrator, primarily known for her art nouveau children's book illustrations, although she also painted, etched and designed greeting cards. Her style of painting was influenced by her contemporaries, Charles Robinson, and Jessie Marion King, and was similar to that of her husband, Alan Wright (1864-1959).
THE FLYING TRUNK
THE LITTLE MERMAID
fresh, and the sea as calm as a millpond. A big three-masted ship lay close by with only a single sail set, for there was not a breath of wind, and the sailors were sitting about the rigging, on the crosstrees,
and at the mast-heads. There was music and singing on board,and as the evening closed in hundreds of gaily coloured lanternswere lighted—they looked like the flags of all nations waving in theair.
Then she saw her sisters rise from the water; they were as pale as she was; their beautiful
long hair no longer floated on the breeze, for it had been cut off. 'We have given it to the witch to obtain her help, so that you may not die to-night! She has given us a knife; here it is, look how sharp it is! Before the sun rises, you must plunge it into the prince's heart, and when his warm blood sprinkles your feet they will join together and grow into a tail, and you will once more be a mermaid; you will
be able to come down into the water to us, and to live out your three hundred years before you are turned into dead, salt sea-foam.
THE LITTLE MATCH-SELLER
She again rubbed a match on the wall, and the light shone round her; in the brightness stood her old grandmother, clear and shining, yet mild and loving in her appearance. "Grandmother," cried the little one, "O take me with you; I know you will go away when the match burns out; you will vanish like the warm stove, the roast goose, and the large, glorious Christmas-tree." And she made haste to light the whole bundle of matches, for she wished to keep her grandmother there. And the matches glowed with a light that was brighter than the noon-day, and her grandmother had never appeared so large or so beautiful. She took the little girl in her arms, and they both flew upwards in brightness and joy far above the earth, where there was neither cold nor hunger nor pain, for they were with God.
THE STORKS
On the last house in a little village the storks had built a nest, and the mother stork sat in it with her four young ones, who stretched out their necks and pointed their black beaks, which had not yet turned red like those of the parent birds. A little way off, on the edge of the roof, stood the father stork, quite upright and stiff; not liking to be quite idle, he drew up one leg, and stood on the other, so still that it seemed almost as if he were carved in wood. "It must look very grand," thought he, "for my wife to have a sentry guarding her nest. They do not know that I am her husband; they will think I have been commanded to stand here, which is quite aristocratic;" and so he continued standing on one leg.
In the street below were a number of children at play, and when they caught sight of the storks, one of the boldest amongst the boys began to sing a song about them, and very soon he was joined by the rest. These are the words of the song, but each only sang what he could remember of them in his own way.
Stand not on one leg, I pray,
See your wife is in her nest,
With her little ones at rest.
They will hang one,
And fry another;
They will shoot a third,
And roast his brother."
THE TINDER-BOX
Then he opened the first door. "Ah!" there sat the dog, with the eyes as large as teacups, staring at him.
"You're a pretty fellow," said the soldier, seizing him, and placing him on the witch's apron, while he filled his pockets from the chest with as many pieces as they would hold. Then he closed the lid, seated the dog upon it again, and walked into another chamber.
THE WILD SWANS
And now all the people came streaming forth from the gates of the city, to see the witch burnt. An old horse drew the cart on which she sat. They had dressed her in a garment of coarse sackcloth. Her lovely hair hung loose on her shoulders, her cheeks were deadly pale, her lips moved silently, while her fingers still worked at the green flax. Even on the way to death, she would not give up her task. The ten coats of mail lay at her feet, she was working hard at the eleventh, while the mob jeered her and said, "See the witch, how she mutters! She has no hymn-book in her hand. She sits there with her ugly sorcery. Let us tear it in a thousand pieces." And then they pressed towards her, and would have destroyed the coats of mail, but at the same moment eleven wild swans flew over her, and alighted on the cart. Then they flapped their large wings, and the crowd drew on one side in alarm.
THE RED SHOES
"Mercy!" cried Karen. But she did not hear what the angel answered, for the shoes carried her through the gate into the fields, along highways and byways, and unceasingly she had to dance.
THE SWINEHERD
Thus the prince was appointed imperial swineherd, and as such he lived in a wretchedly small room near the pigsty; there he worked all day long, and when it was night he had made a pretty little pot. There were little bells round the rim, and when the water began to boil in it, the bells began to play the old tune:
"Ach! du lieber Augustin,
Alles ist weg weg weg!"
But what was more wonderful was that, when one put a finger into the steam rising from the pot, one could at once smell what meals they were preparing on every fire in the whole town. That was indeed much more remarkable than the rose. When the princess with her ladies passed by and heard the tune, she stopped and looked quite pleased, for she also could play it—in fact, it was the only tune she could play, and she played it with one finger.
THE GARDEN OF PARADISE
"I will remain," said the prince.
So the East Wind kissed him on the forehead, and said, "Be firm; then shall we meet again when a hundred years have passed. Farewell, farewell." Then the East Wind spread his broad pinions, which shone like the lightning in harvest, or as the northern lights in a cold winter.
"Farewell, farewell," echoed the trees and the flowers.
Storks and pelicans flew after him in feathery bands, to accompany him to the boundaries of the garden.
THE MARSH KING'S DAUGHTER
Just there, by the reeds and the green banks, lay the trunk of an elder-tree; upon this the three swans stood flapping their wings, and looking about them; one of them threw off her plumage, and I immediately recognized her as one of the princesses of our home in Egypt. There she sat, without any covering but her long, black hair. I heard her tell the two others to take great care of the swan's plumage, while she dipped down into the water to pluck the flowers which she fancied she saw there. The others nodded, and picked up the feather dress, and took possession of it. I wonder what will become of it? thought I, and she most likely asked herself the same question. If so, she received an answer, a very practical one; for the two swans rose up and flew away with her swan's plumage. 'Dive down now!' they cried; 'thou shalt never more fly in the swan's plumage, thou shalt never again see Egypt; here, on the moor, thou wilt remain.' So saying, they tore the swan's plumage into a thousand pieces, the feathers drifted about like a snow-shower, and then the two deceitful princesses flew away."
THE SNOW QUEEN
The snow-flakes became larger and larger, till they appeared like great white chickens. All at once they sprang on one side, the great sledge stopped, and the person who had driven it rose up. The fur and the cap, which were made entirely of snow, fell off, and he saw a lady, tall and white, it was the Snow Queen.
"We have driven well," said she, "but why do you tremble? here, creep into my warm fur." Then she seated him beside her in the sledge, and as she wrapped the fur round him he felt as if he were sinking into a snow drift. .... They flew over woods and lakes, over sea and land; below them roared the wild wind; the wolves howled and the snow crackled; over them flew the black screaming crows, and above all shone the moon, clear and bright,—and so Kay passed through the long winter's night, and by day he slept at the feet of the Snow Queen.
"It seems to me as if somebody were behind us," said Gerda, as something rushed by her like a shadow on the wall, and then horses with flying manes and thin legs, hunters, ladies and gentlemen on horseback, glided by her, like shadows on the wall.
"They are only dreams," said the crow, "they are coming to fetch the thoughts of the great people out hunting."
"All the better, for we shall be able to look at them in their beds more safely. I hope that when you rise to honor and favor, you will show a grateful heart."
"You may be quite sure of that," said the crow from the forest.
LITTLE IDA'S FLOWERS
The flowers were dancing gracefully on the floor, making turns and holding each other by their long green leaves as they swung round....Ida looked that way, and saw a slight carnival rod jumping down among the flowers as if it belonged to them; it was, however, very smooth and neat, and a little wax doll with a broad brimmed hat on her head, like the one worn by the lawyer, sat upon it. The carnival rod hopped about among the flowers on its three red stilted feet, and stamped quite loud when it danced the Mazurka; the flowers could not perform this dance, they were too light to stamp in that manner. All at once the wax doll which rode on the carnival rod seemed to grow larger and taller, and it turned round and said to the paper flowers, "How can you put such things in a child's head? they are all foolish fancies;"and then the doll was exactly like the lawyer with the broad brimmed hat, and looked as yellow and as cross as he did....
