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Donnerstag, 30. Januar 2020

LA TERRE par Emile Zola illustré par Henri-Gabriel Ibels


Henri-Gabriel Ibels (geboren 30. November 1867 in Paris; gestorben 31. Januar 1936 in Paris) war ein französischer Grafiker, Maler und Autor.
Ibels machte sein Baccalaureat im Jahr 1884. Er war weitgehend Autodidakt, er studierte nur kurz 1886/87 an der Hochschule für Kunstgewerbe Paris und 1888/89 an der Académie Julian und wurde 1889 ein Mitgründer der Gruppe Les Nabis. Er war befreundet mit Henri de Toulouse-Lautrec, beide publizierten eine Bildermappe über das Café-concert. Ibels gründete 1893 eine kurzlebige Zeitschrift, L'Escarmouche. Er zeichnete für politische Zeitschriften wie Le Père Peinard und die von seinem Bruder herausgegebene anarchistische Zeitschrift L’Assiette au beurre. In der Dreyfus-Affäre ergriff er Partei für Dreyfus und gründete 1898 dafür die Zeitschrift Le Sifflet.
Ibels malte Plakate fürs Theater und Cabaret und er illustrierte Bücher von Emile Zola und eine Neuausgabe des Romans Sébastien Roch von Octave Mirbeau, sowie La Fille Élisa von Edmond de Goncourt. 1891 stellte er erstmals seine Gemälde im Salon des Indépendants aus, eine Ausstellung 1894 in der Galerie Bodinière zeigte auch Skulpturen und Fächer. Ibels war auch Autor von Theaterstücken. Nach dem Ersten Weltkrieg arbeitete er als Kunstlehrer an Schulen.
Ibels wurde 1914 in die Ehrenlegion aufgenommen. Die Stadt Lagny-sur-Marne benannte eine Straße nach ihm. Ibels' Bilder hängen unter anderem im Musée départemental Maurice-Denis Le Prieuré.
(Wikipedia) 

                                                  Henri-Gabriel Ibels (Selbstportrait)





















Bilder, Plakate  und Reklame von Henri Gabriel Ibels








Étude pour Le cirque, avant la représentation


Scene sur un banc (Pierrot)

Sonntag, 26. Januar 2020

The First Men in the Moon by H.G. Wells illustrated by Claude Allin Shepperson


Claude Allin Shepperson (1867-1921) was a British artist and illustrator. He trained at Heatherley's and in Paris and was one of a number of illustrators who worked as a tutor at Percy Bradshaw's Press Art School. Working in most media, Shepperson's pictures are a masterclass in elegance, grace and refinement, and scene of high society, often featuring the 'Shepperson Girl,' were his speciality. He contributed regularly to TheTatler magazine, the ideal magazine to showcase his work. He illustrated H.G. Well's The First Men in the Moon which was first published in The Strand Magazine 1900 - 1901. A book edition was published in 1901. However, in the book edition only 13 illustrations from The Strand Magaazine were shown.

The First Men in the Moon in The Strand Magazine

I. — MR. BEDFORD MEETS MR. CAVOR AT LYMPNE

I soon discovered that writing a play was a longer business than I had supposed; at first I had reckoned ten days for it, and it was to have a pied-à-terre while it was in hand that I came to Lympne.

He was a short, round-bodied, thin-legged little man, with a jerky quality in his motions; he had seen fit to clothe his extraordinary mind in a cricket cap, an overcoat, and cycling knickerbockers and stockings. Why he did so I do not know, for he never cycled and he never played cricket. It was a fortuitous concurrence of garments, arising I know not how. He gesticulated with his hands and arms, and jerked his head about and buzzed. He buzzed like something electric. You never heard such buzzing. And ever and again he cleared his throat with a most extraordinary noise.

Then with a sort of convulsive gesture he turned and retreated with every manifestation of haste, no longer gesticulating, but going with ample strides that showed the relatively large size of his feet—they were, I remember, grotesquely exaggerated in size by adhesive clay—to the best possible advantage.

He was quite willing to supply information. Indeed, once he was fairly under way the conversation became a monologue. He talked like a man long pent up, who has had it over with himself again and again. He talked for nearly an hour, and I must confess I found it a pretty stiff bit of listening.  

"I begin to see. It's extraordinary how one gets new points of view by talking over things!"

II. — THE FIRST MAKING OF CAVORITE

Instantly my coat tails were over my head, and I was progressing in great leaps and bounds, and quite against my will, towards him. In the same moment the discoverer was seized, whirled about, and flew through the screaming air.

I repeated my suggestion of getting back to my bungalow, and this time he understood. We clung arm-in-arm and started, and managed at last to reach the shelter of as much roof as was left to me. 

III. — THE BUILDING OF THE SPHERE

And while he was having his bath I considered the entire question alone. 

An extraordinary possibility came rushing into my mind. Suddenly I saw, as in a vision, the whole solar system threaded with Cavorite liners and spheres deluxe. "Rights of pre-emption," came floating into my head—planetary rights of pre-emption. I recalled the old Spanish monopoly in American gold.

At last I got back to bed and snatched some moments of sleep—moments of nightmare rather—in which I fell and fell and fell for evermore into the abyss of the sky.

IV. — INSIDE THE SPHERE

  "Go on," said Cavor, as I sat across the edge of the manhole, and looked down into the black interior of the sphere. We two were alone. It was evening, the sun had set, and the stillness of the twilight was upon everything.

V. — THE JOURNEY TO THE MOON

 The little window vanished with a click, another beside it snapped open and instantly closed, and then a third, and for a moment I had to close my eyes because of the blinding splendour of the waning moon.

 And as I stood and stared at the moon between my feet, that perception of the impossible that had been with me off and on ever since our start, returned again with tenfold conviction.

Presently he told me he wished to alter our course a little by letting the earth tug at us for a moment. He was going to open one earthward blind for thirty seconds. He warned me that it would make my head swim, and advised me to extend my hands against the glass to break my fall. I did as he directed, and thrust my feet against the bales of food cases and air cylinders to prevent their falling upon me. Then with a click the window flew open. I fell clumsily upon hands and face, and saw for a moment between my black extended fingers our mother earth—a planet in a downward sky.

VI. — THE LANDING ON THE MOON


Then Cavor switched on the electric light, and told me he proposed to bind all our luggage together with the blankets about it, against the concussion of our descent. We did this with our windows closed, because in that way our goods arranged themselves naturally at the centre of the sphere. That too was a strange business; we two men floating loose in that spherical space, and packing and pulling ropes.

We were still alive, and we were lying in the darkness of the shadow of the wall of the great crater into which we had fallen.

VII. — SUNRISE ON THE MOON

Then some huge landslip in the thawing air had caught us, and spluttering expostulation, we began to roll down a slope, rolling faster and faster, leaping crevasses and rebounding from banks, faster and faster, westward into the white-hot boiling tumult of the lunar day.

VIII. A LUNAR MORNING

 "Life!" And immediately it poured upon us that our vast journey had not been made in vain, that we had come to no arid waste of minerals, but to a world that lived and moved! We watched intensely. I remember I kept rubbing the glass before me with my sleeve, jealous of the faintest suspicion of mist.

IX.  PROSPECTING BEGINS

He seemed twenty or thirty feet off. He was standing high upon a rocky mass and gesticulating back to me. Perhaps he was shouting—but the sound did not reach me. But how the deuce had he done this? I felt like a man who has just seen a new conjuring trick.

It was horrible and delightful, and as wild as a nightmare, to go flying off in this fashion. I realised my leap had been altogether too violent. I flew clean over Cavor's head and beheld a spiky confusion in a gully spreading to meet my fall. I gave a yelp of alarm. I put out my hands and straightened my legs.

I stood for a moment struck by the grotesque effect of his soaring figure—his dirty cricket cap, and spiky hair, his little round body, his arms and his knicker-bockered legs tucked up tightly—against the weird spaciousness of the lunar scene.

X. — LOST MEN IN THE MOON

Boom... Boom... Boom.
It came from beneath our feet, a sound in the earth. We seemed to hear it with our feet as much as with our ears. Its dull resonance was muffled by distance, thick with the quality of intervening substance. No sound that I can imagine could have astonished us more, or have changed more completely the quality of things about us. For this sound, rich, slow, and deliberate, seemed to us as though it could be nothing but the striking of some gigantic buried clock.

XI. — THE MOONCALF PASTURES

A crackling and smashing of the scrub appeared to be advancing directly upon us, and then, as we squatted close and endeavoured to judge of the nearness and direction of this noise, there came a terrific bellow behind us, so close and vehement that the tops of the bayonet scrub bent before it, and one felt the breath of it hot and moist. And, turning about, we saw indistinctly through a crowd of swaying stems the mooncalf's shining sides, and the long line of its back loomed out against the sky.

 He had been a little distance from the edge when the lid had first opened, and perceiving the peril that held me helpless, gripped my legs and pulled me backward.

 He stood up as well as he could, putting a hand on my head to steady himself, which was disrespectful, and stood staring about him, quite devoid now of any fear of the moon beings.

Almost immediately we must have come upon the Selenites. There were six of them, and they were marching in single file over a rocky place, making the most remarkable piping and whining sounds. They all seemed to become aware of us at once, all instantly became silent and motionless, like animals, with their faces turned towards us.
For a moment I was sobered.
"Insects," murmured Cavor, "insects! And they think I'm going to crawl about on my stomach—on my vertebrated stomach!

XII. — THE SELENITE'S FACE

There was no nose, and the thing had dull bulging eyes at the side—in the silhouette I had supposed they were ears. There were no ears... I have tried to draw one of these heads, but I cannot. There was a mouth, downwardly curved, like a human mouth in a face that stares ferociously...
The neck on which the head was poised was jointed in three places, almost like the short joints in the leg of a crab. The joints of the limbs I could not see, because of the puttee-like straps in which they were swathed, and which formed the only clothing the being wore.
There the thing was, looking at us!

XIII.  MR. CAVOR MAKES SOME SUGGESTIONS

 
He paused as if he required my assent. But I sat sulking. "Confound your science!" I said.


I perceived that the foremost and second carried bowls. One elemental need at least our minds could understand in common. They were bowls of some metal that, like our fetters, looked dark in that bluish light; and each contained a number of whitish fragments. All the cloudy pain and misery that oppressed me rushed together and took the shape of hunger. I eyed these bowls wolfishly, and, though it returned to me in dreams, at that time it seemed a small matter that at the end of the arms that lowered one towards me were not hands, but a sort of flap and thumb, like the end of an elephant's trunk.

XIV.  EXPERIMENTS IN INTERCOURSE

We remained passive, and the Selenites, having finished their arrangements, stood back from us, and seemed to be looking at us. I say seemed to be, because as their eyes were at the side and not in front, one had the same difficulty in determining the direction in which they were looking as one has in the case of a hen or a fish.

I turned on the goad-bearer behind me with a swift threatening gesture, and he started back. This and Cavor's sudden shout and leap clearly astonished all the Selenites. They receded hastily, facing us. For one of those moments that seem to last for ever, we stood in angry protest, with a scattered semicircle of these inhuman beings about us.

XV. THE GIDDY BRIDGE


We seemed to be marching down that tunnel for a long time. "Trickle, trickle," went the flowing light very softly, and our footfalls and their echoes made an irregular paddle, paddle. My mind settled down to the question of my chains. If I were to slip off one turn so, and then to twist it so...

My mailed hand seemed to go clean through him. He smashed like—like some softish sort of sweet with liquid in it! He broke right in! He squelched and splashed. It was like hitting a damp toadstool.

I stopped and looked back, and I heard the pad, pad of Cavor's feet receding. Then he stopped also. "Bedford," he whispered; "there's a sort of light in front of us."

XVI.  POINTS OF VIEW

 I plucked up half a dozen and flung them against the rocks, and then sat down, laughing bitterly, as Cavor's ruddy face came into view.

 At any rate, we had now the comforting knowledge of the enormous muscular superiority our birth in another planet gave us. In other minute I was clambering with gigantic vigour after Cavor's blue-lit heels.

XVII. THE FIGHT IN THE CAVE OF THE MOON BUTCHERS

And lying in a line along its length, vanishing at last far away in that tremendous perspective, were a number of huge shapes, huge pallid hulls, upon which the Selenites were busy.

I realised Cavor's utter incapacity for the fight we had in hand. For a moment I hesitated. Then I rushed past him whirling my crowbars, and shouting to confound the aim of the Selenite. He was aiming in the queerest way with the thing against his stomach. "Chuzz!" The thing wasn't a gun; it went off like cross-bow more, and dropped me in the middle of a leap.

I remember I seemed to be wading among those leathery, thin things as a man wades through tall grass, mowing and hitting, first right, then left; smash. Little drops of moisture flew about. I trod on things that crushed and piped and went slippery.

XVIII. IN THE SUNLIGHT


 I stood up. "We must get a fixed point we can recognise—we might hoist a flag, or a handkerchief, or something—and quarter the ground, and work round that."

I was on the point of asking him to shake hands—for that, somehow, was how I felt just then—when he put his feet together and leapt away from me towards the north. He seemed to drift through the air as a dead leaf would do, fell lightly, and leapt again. I stood for a moment watching him, then faced westward reluctantly, pulled myself together, and with something of the feeling of a man who leaps into icy water, selected a leaping point, and plunged forward to explore my solitary half of the moon world.

XIX. MR. BEDFORD ALONE

 I could see my handkerchief far off, spread out on its thicket of thorns.

 I saw the sphere!...
I threw up my arms, shouted a ghostly shout, and set off in vast leaps towards it. I missed one of my leaps and dropped into a deep ravine and twisted my ankle, and after that I stumbled at almost every leap. I was in a state of hysterical agitation, trembling violently, and quite breathless long before I got to it.


I set myself to decipher this.
"I have been injured about the knee, I think my kneecap is hurt, and I cannot run or crawl," it began—pretty distinctly written.
Then less legibly: "They have been chasing me for some time, and it is only a question of"—the word "time" seemed to have been written here and erased in favour of something illegible—"before they get me. They are beating all about me."
 
I was a dozen yards from it. My eyes had become dim. "Lie down!" screamed despair; "lie down!"
I touched it, and halted. "Too late!" screamed despair; "lie down!"
I fought stiffly with it. I was on the manhole lip, a stupefied, half-dead being. The snow was all about me. I pulled myself in. There lurked within a little warmer air.

XX. MR. BEDFORD IN INFINITE SPACE

I was in darkness, save for the earthshine and the glitter of the stars below me. Everything was so absolutely silent and still that I might indeed have been the only being in the universe, and yet, strangely enough, I had no more feeling of loneliness or fear than if I had been lying in bed on earth.

XXI. MR. BEDFORD AT LITTLESTONE


 The sphere hit the water with a huge splash: it must have sent it fathoms high. At the splash I flung the Cavorite shutters open. Down I went, but slower and slower, and then I felt the sphere pressing against my feet, and so drove up again as a bubble drives. And at the last I was floating and rocking upon the surface of the sea, and my journey in space was at an end.

 "I want help," I said hoarsely. "I want to get some stuff up the beach—stuff I can't very well leave about." I became aware of three other pleasant-looking young men with towels, blazers, and straw hats, coming down the sands towards me. Evidently the early bathing section of this Littlestone.

 The sea, which had been smooth, was rough now with hurrying cat's-paws, and all about where the sphere had been was tumbled water like the wake of a ship. Above, a little puff of cloud whirled like dispersing smoke, and the three or four people on the beach were bring up with interrogative faces towards the point of that unexpected report.

I gesticulated convulsively. He receded a step as though I had threatened him. I made a bolt through them into the hotel.

XXII. THE ASTONISHING COMMUNICATION OF MR. JULIUS WENDIGEE


...there reached me (it is now about six months ago) one of the most astounding communications I have ever been fated to receive. Briefly, it informed me that Mr. Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr. Tesla in America, in the hope of discovering some method of communication with Mars, was receiving day by day a curiously fragmentary message in English, which was indisputably emanating from Mr. Cavor in the moon.

XXIII. AN ABSTRACT OF THE SIX MESSAGES
FIRST RECEIVED FROM MR. CAVOR


 And at last far below him he saw, as it were, a lake of heatless fire, the waters of the Central Sea, glowing and eddying in strange perturbation, "like luminous blue milk that is just on the boil."

As they pulled at it that net seemed the heaviest thing I had come upon in the moon; it was loaded with weights—no doubt of gold—and it took a long time to draw, for in those waters the larger and more edible fish lurk deep. The fish in the net came up like a blue moonrise—a blaze of darting, tossing blue.

XXIV. THE NATURAL HISTORY OF THE SELENITES

Finding he would not walk even under the goad, they carried him into darkness, crossed a narrow, plank-like bridge that may have been the identical bridge I had refused, and put him down in something that must have seemed at first to be some sort of lift. This was the balloon—it had certainly been absolutely invisible to us in the darkness—and what had seemed to me a mere plank-walking into the void was really, no doubt, the passage of the gangway.



"It was an incredible crowd. Suddenly and violently there was forced upon my attention the vast amount of difference there is amongst these beings of the moon.
"Indeed, there seemed not two alike in all that jostling multitude. They differed in shape, they differed in size, they rang all the horrible changes on the theme of Selenite form! Some bulged and overhung, some ran about among the feet of their fellows.
 He seems to have grasped their intention with great quickness, and to have begun repeating words to them and pointing to indicate the application. The procedure was probably always the same. Phi-oo would attend to Cavor for a space, then point also and say the word he had heard.

...but some of the profounder scholars are altogether too great for locomotion, and are carried from place to place in a sort of sedan tub, wabbling jellies of knowledge that enlist my respectful astonishment. I have just passed one in coming to this place where I am permitted to amuse myself with these electrical toys, a vast, shaven, shaky head, bald and thin-skinned, carried on his grotesque stretcher.

 One, I remember very distinctly: he left a strong impression, I think, because some trick the light and of his attitude was strongly suggestive a drawn-up human figure. His fore-limbs were long, delicate tentacles—he was some kind of refined manipulator—and the pose of his slumber suggested a submissive suffering. No doubt it was a mistake for me to interpret his expression in that way,...

XXV. THE GRAND LUNAR

 "In front, after the manner of heralds, marched four trumpet-faced creatures making a devastating bray; and then came squat, resolute-moving ushers before and behind, and on either hand a galaxy of learned heads, a sort of animated encyclopedia, who were, Phi-oo explained, to stand about the Grand Lunar for purposes of reference.

 Higher and higher these steps appear to go as one draws nearer their base. But at last I came under a huge archway and beheld the summit of these steps, and upon it the Grand Lunar exalted on his throne. "He was seated in what was relatively a blaze of incandescent blue. This, and the darkness about him gave him an effect of floating in a blue-black void. He seemed a small, self-luminous cloud at first, brooding on his sombre throne; his brain case must have measured many yards in diameter.

I became aware of a faint wheezy noise. The Grand Lunar was addressing me. It was like the rubbing of a finger upon a pane of glass.

 "The iris was quite a new organ to the Grand Lunar. For a time he amused himself by flashing his rays into my face and watching my pupils contract. As a consequence, I was dazzled and blinded for some little time...

 When I had done he ordered cooling sprays upon his brow, and then requested me to repeat my explanation conceiving something had miscarried.

 I told, too, of the past, of invasions and massacres, of the Huns and Tartars, and the wars of Mahomet and the Caliphs, and of the Crusades. And as I went on, and Phi-oo translated, and the Selenites cooed and murmured in a steadily intensified emotion.

XXVI. THE LAST MESSAGE CAVOR SENT TO THE EARTH


For my own part a vivid dream has come to my help, and I see, almost as plainly as though I had seen it in actual fact, a blue-lit shadowy dishevelled Cavor struggling in the grip of these insect Selenites, struggling ever more desperately and hopelessly as they press upon him, shouting, expostulating, perhaps even at last fighting, and being forced backwards step by step out of all speech or sign of his fellows, for evermore into the Unknown—into the dark, into that silence that has no end...

END


Wir zeigen hier noch die Buchillustrationen, da sie etwas besser sind als diejenigen im Strand-Magazin.